Case Study on One Week
The plot consisted of the
married couple arriving at their new home to find they must actually build it
giving Buster Keaton, who is also the director, the freedom for the first time in
his own film. He creates obstacles for the characters giving three gags which
concluded back to the story which found them with a house looking like a puzzle
not put together right.The end sees the house become demolished on the railroad tracks.Buster puts a "for sale" sign on the pile leaving instructions on top, both Buster and Sybil walk off together.
Buster and Sybil seemed to play the characters very believable without taking themselves to seriously especially when finding out that Sybil was only 18 years old when starred in as the bride. This showed her companionship and loyalty which made each gag from Buster that much smoother and believable to watch. Buster having this his first directed film made,in his opinion it was a inferior effort to debut with, which showed his need for perfection from the start of his career.
There were many
film techniques throughout the film using a montage to tie each shot together. Having the music help to keep all of the key parts more evident, especially
having it as a silent comedy from 1920 there was a need for the music to match
each scene.
There were
many types of shots, having the opening scene wide and the end scene likewise
almost seeming like their telegraphing the start and the end of the film.
Keeping the main focus throughout the middle on the characters and the house, the shots are kept to a lot of parallel action that comes with all Buster
Keaton films.
From what I know this
wasn't taken from any short book or story, which would have been interesting but there wouldn't have been as obvious action and slapstick, which is used throughout the film. The action and slapstick comedy is done to the point of looking animated like
tom acting on what jerry does Buster acts solely on the situation.
The reason for choosing
this film was because of the sheer nature of slapstick comedy taken from the
roots on which i can be inspired by and create my own narratives in a similar yet
original nature, which stands out and would elevate my creative stills in
animation. Specifically stop-motion, the most modern day comparison would be
the likes of Shaun the sheep. This would have been interesting to write about, the spark from old silent slapstick comedies is what made me choose One
week by Buster Keaton.
One Week in full below enjoy!
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