Showing posts with label Professional Practice. Show all posts
Showing posts with label Professional Practice. Show all posts

Thursday, 27 June 2013

Lip-Sync Skills taking focus for the June 11 Second Club 'Oh Charlie' Animation

from left-James and mouthless Charlie
11 Second Club what a brilliant idea, two weeks before entry i wanted to create a lip-sync piece for my showreel with other things and thought what better than to get direct feedback from the animation community and find where my skills are in that area of Character animation my chosen speciality in Stop-Frame Animation.

First Step crack out some plastercine and create come expressive characters which are good for conveying emotion thats parallel with what the character is saying. What i should be saying is that due to time i wasn't able to create the whole figure but honestly i enjoyed the task of only using the faces for everything the restriction helped bring out a better performance i believe.


Poor chap tired from getting animated (James)
First thing before animating was creating the characters i was confident in and with that believable blinks, yes blinks are important after another test i did i realised i'd benifit from having a much better set of eye lids using two sets and one full closed as above.


What a stare.
Also seeing the full difference between expression, annoyed stare and suprised.




Animating


As always i am using my DragonFrame on my MacBook Pro, after many times using DragonFrame i believe my knowledge is extending everytime i use it getting the full benifit out of a brilliant tool. Using the Dope sheet ( X-Sheet ) for everything from phonetics to expression.

Really like this photo.
Another expressive shot which i believe was the last taken.
Only a couple of days till voting starts on 11Second Club for June, technically 4 days but i am not counting. For an exclusive watch of 'Oh Charlie' find my one slice over 10 seconds of animation which i am proud of which has been added to my 2012 Showreel which will be shown in my next blogpost.

Please let the animation fully load or it won't sync correctly with sound track.



Thank-you for viewing my Lipsync-Skills taking focus for the June 11 second club 'Oh Charlie' Animation

Like and comment on more of my on going work @  -https://www.facebook.com/pages/GHAnimation/334135546644252

Tuesday, 5 February 2013

Slapstick Festival 2013 January 24-27

 

Bristol was my first destination this year for Slapstick Festival 2013, this gives a great chance to meet people who have a love for celebrating silent and classic comedy, this year the face of the programme was the third genius a Mr Harold Lloyd after last year being my favourite Golden Cinema performer Buster Keaton.


                                    

The much anticipated talk between Nick Park and Peter Lord Slapstick Animated did not disappoint in the slightest, speaking about live action that has influenced then like Norman Wisedom and the Marx Brothers, how gags have been reinvented to their own characters like Morph and Wallace and Gromit. 

The night was finished up with the like of drinks with a crowd that run the festival to discuss the films and how the next festival with be held with Chaplin being the main focus of the festival which should attract many new guests.

Fridays first talk was Harold Lloyd the Third Genius with Kevin Brownlow who did a great talk on Buster Keaton last year talking about the Third Genius documentary film and showed extracts with that anecdotes about time spent with Lloyd which was most amusing, later spoke to Kevin Brownlow about Street Act my student film which i got his opinion on last year.

Gala poster
Gala event


Main event of the slapstick festival the Silent Comedy Gala which featured films from Harold Lloyd,Buster Keaton and George Melies with live accompaniment, with Victoria Wood introducing the films and towards the end and before the interval was the greatly funny comedian Barry Cryer with Ronnie Golden on guitar with fitting songs which made the audience ball up with laughter.


Some fitting photos taken from Bristol





Blazing it up ahead of going to the first event enjoyed the first beverage!

Monday, 4 February 2013

Flip Animation Festival-Wolverhampton 1,2,3 November


2012 was a year of graduating and importantly to put a lot of time into my networking as you will have noticed through looking at past posts on the blog. This time i headed North to Wolverhampton a festival that i've gone to for the past 3 years mainly to enjoy new shorts that graduates have done, this time at a festival volunteer.
The first day was spent mainly promoting the event with signs and showing people directions to the much anticipated events, later that day was spent showing people what it takes to create a animation in the drop in workshop for anyone to come along.
Friday was finished with speaking with people who came along to the festival that i'd spoke to before at previous events that i've kept in touch with and seeing how their career is progressing with that creating new contacts.

                                                               

Last but not least was the Gif the City-Wolverhampton at St.Peter's Church which i only found out about later on that day which was great i described it as people looking up to see fireworks and to see Animation projected onto a church with the sound of base which was totally different to the usual cinemas which accustomed to seeing an animation.


Saturday was Bright and early moving equipment ready for the greatly anticipated Gromit workshop with Jim Parkyn, this was great to help with after doing the workshop last year which was a good laugh  and seeing the end Gromit next to everyone else's which forms an army of personalised Gromits.




Monday, 7 January 2013

Frankenweenie-The Art of Exhibition 17-21 October 2012


Frankenweenie is a 2012 3D stop motion sci-fi family film directed by Tim Burton. 
It is a remake of Burton's 1984 short film of the same name which i always enjoyed and glad he came back to it in stop motion. The film was from start to finish Burton which i like then add the fact the whole film is shot in Black and white i really appreciated after my own student film Street Act being shot in b/w.

Sadly i was unable to see the film before going to the exhibition yet i couldn't pass up the opportunity to see the sets and Characters from the film up close. Interesting to see the sizes of the characters but more than any of them get to see Mr Rzykruski up close being my favourite from the film also all his different mouth shapes which were on display.


Shots from Pre-Production

Director Tim Burton Looking over Pre-Production

My Favourite Character from the film Mr.Rzykruski

Early sketches of Sparky!

Stages Victor and Sparky took.


 The trip to London was very eventful staying at my friends house and getting to see the Exhibition was such a great opportunity and look out for more opportunity's like this at festivals. 2012 coming to an end with meeting so many new people from the animation world through networking in the year which i will continue to do so this year.

 Pre-production already starting with my set and after Christmas the books will come in hands to expand my knowledge for my animations and further more starting my career, feel free to check out any of the 2012 posts in the log. i hope everyone had a great New-years and look forward to seeing you all again with new posts on the horizon.




Friday, 14 December 2012

Canterbury Anifest 5-6th October 2012

With recently getting a new job to pay for supplies and networking purposes to kick start my career as a Stop-frame animator, this gave me opportunity to go to a festival i've been looking forward to go to since last year i couldn't make it due to other commitments, at first i was going down as puplic but found myself as a volunteer from the night before the festival meeting people i knew who were already taking part from Birmingham City University and other festivals.


Sophie Graves and myself

First task as a volunteer was to prepare the plastercine characters for the 'Plastercine people: Masterclass From Animate and Create Studio' later on in the day, which was great to get to know other people of mutual interest over some plastercine and a great set of tools to work with.


Tony Dalton and myself before - Ray Harryhausen-The Godfather

Later on that day i got the chance to go to a talk on Ray Harryhausen the Godfather of Stop-motion with the curator of the Ray Harryhausen collection and auther of five books about Rays film work Tony Dalton was a delight to meet such a nice guy and willing to talk about so much of Rays work.

Jessica,Cassidy Curtis,Sophie and myself

DreamWorks - Meet the Lion tamer
Cassidy Curtis is Dreamworks supervising animator for the summer blockbuster Madagascar 3 animating Alex the Lion and from the moment the volunteers and myself met him we kind of saw a resemblence between Cassidy and Alex the lion wether that was coinsidence or character driven choice from the director.

Cassidy was a great pleasure to meet as Dan the festival organiser said "you've got to love Cassidy because he's just one big yank". The talk was great having a whole range of things to talk about from working on a range of films including 'How to train a Dragon','Shrek' and 'Madagascar'.

Talking about the age old question for cg animators 'Do you Have to be able to draw to animate well?' and we got to the reasoning that some people can still animate really well without drawing but it will always help and elevate your work and so answer being it can always help your animation skills what ever level of an animator you are.




Then also as you see in the image above here Cassidy was pointing out the difference in Shrek in 3d and in 2d to show how the points in the arm and shape of the pose can focus the eye of the audience intentionally very well. Then in 3d this doesn't come so easily.

Aardman- How to talk Pirate

Pirate Captain From Pirates

Jim Parkyn talking through the making and animating of the models, including the rapid prototyping mouth technique which enabled the characters to speak. There was also behind-the-scenes clips which were great to see as more studio shots from pirates were shown of sketches and photos of the puppet building process.
Charles Darwin from Pirates
Also looked forward to talking with Jim again at Flip Festival in Wolverhampton where i volunteered.

Double Negative- Making Monsters
Eamonn Butler talking about behind the scenes of John Carter was great because i was surprised how much i enjoyed the film as because of the reviews before it came out. The special effects had so much thought into it was great to see what they'd use in the green screen before made for the audience to see.

Pixar: Inside the toy box 
Dan McCoy Pixars technical director discussed some of the complications and problems that pixar have tackled from the technical side with telling us how some things could be re-used for more than one thing same with cheat techniques.

My hotel room view instant view from anytime of the day of the Canterbury Cathedral



anyone not been to Canterbury Anifest i recommend its a great festival and worth volunteers so many great speakers, also check out Animate and Create.


Monday, 24 September 2012

My Trip to Bristol for the 18th Encounters Short Film and Animation Festival 2012


18th Encounters Short Film and Animation Festival 18-23 September 2012 Arnolfini & Watershed

Fresh back from Encounters,
                                 Networking with people from the animation industry, seeing new emerging animations which are winning awards all over the place like 'Oh Willy' which i saw on the first day, seeing sets from 'Wallace and Gromit' films and a certain 'Pirate Captains' ship. In Bristol i got the chance to meet so many idols who i aspire to be as good as in the industry who gave me great advise.

Ani 1:Feathers and Fur
First showings i saw were 'Feathers and Fur' with Birds,mammals and strange furry creatures which often take centre stage in animation, my favourites from this selection of animations was 'Oh Willy' (directors Emma De Swaef & Marc James) mainly for the overall look of the characters and sets which was all very natural but the story il let you see for yourself. Also another favourite from this selection was 'The Fox and The Chickadee' (director Evan Derushie) showing a simple story but cleverly told with great puppet animation and a most enjoyable watch.

Heres the trailer for 'The fox and the Chickadee'-


Ani 2: Trials of Life
These animations were great, i remember them all but il only talk about the ones i most favoured and gave the most empathy to the characters first 'I'm Fine Thanks' (director: Eamonn O'neill) showing a character who bottles things up then shows him reacting to them then in a different perspective which was modern and cleverly put together in the narrative.

'The Pub' (Director: Joseph Pierce) i've always been a fan of Joseph Pierce's work his what he does with characters when he rotoscopes them, morphing their face and distorting it to create an alternative way of looking at the story and each persons perspective within the Narrative. 

'De riz d'Armenie' (Director:Helene Marchal, Samy Barras, Celine Seille) "Odette tries tidying up Alphonse's souvenirs".But one dat, no more left. great consept for the disease which is such a sad and painful time for families, the 2d style also has a soft touch to it.

Here is the trailer for De Riz d'Armenie-

'Head over Heels' (Director:Timothy Reckart) My favourite short from this selection of animations because of the humour, love and empathy. Description - "A husband and wife have grown apart over the years. He lives on the floor, she lives on the ceiling,and the marriage hang in the balance".

Here is the trailer for 'Head over Heals'-


Aardman: Early Years Claymation
"One of the qualities that made Aardman Animations stand out back in the late 1970's and 80's was their use of box pop and interviewed recordings, with strong characters animated to the voices. Others such as the hubley's in America were doing it in America were doing it in 2D drawn animation,but Lord and Sproxton pioneered the technique using plastercine character model animation. With the advert of Channel 4 and its enlightened approach to animation under the generous hand of Clare Kitson, Aardman were allowed to flourish and develop their own inimitable style".

"A certain Nick Park joined forces in the mid-80s and the rest, they say, is history. This programme featured many of the outstanding early animated films for a rare opportunity to see them in their hand-crafted detail on the big screen".Too tuff to choose a favourite from this collection but Morph, Adam, Pib and Pog, Sledgehammer,Next and Wallace and Gromit which was great to see up on the big screen (well the chase sequence from the wrong trousers)

FilmWorks Launch: It Begins With An Idea
Speakers were -
 Peter Lord with Julie Lockhart and with Mark Cosgrove,
 Then Live action Director and Producer - Katarzyna Klimkiewicz and Alison Sterling.

From Left- Julie Lockhart,Peter Lord and Artistic Director for Encounters  Mark Cosgrove
The talk was greatly beneficial i got notes and found that many of ideas could be for example 'Chicken Run' is 'The Great Escape' with chickens, simply put but it works for a different Audience. Another thing Flushed away started as pirates then went into its own and research took them to the sewers. Then Pirates came from a book that was in a meeting that Peter was attending read it and was instantly telling everyone to pick up a copy.


Aardman Retrospective: From Pigs to Pirates!
"Aardman Animations saw a period of rapid expansion after the successes of 'The Wrong Trousers' and 'A Close Shave in the 90s. The company became a more diverse studio with a range of incredible stand out talent on their books. The success of the company (including several hundred international awards) was founded on the quality of their short form of work and a thriving commercials department".

"Going from strength to strength the company recently saw the worldwide release of 'The Pirates! in an adventure with scientists', their fifth feature film to date. Never known to stand still, Aardman embrace technological developments with enthusiasm and adapt their processes and output to new platforms and opportunities. This programme celebrates many of their fantastic short films from the 90s right up until the present day".

For me 'So you want to be a Pirate?' (Directed by Jay Grace) was greatly humour-us with constant gags in keeping with the characters, having them on a tv show which is run by the Pirate Captain and going to separate pirates for each parts of the show wether its finding some treasure or trying new products on the Pirate Kings Beard and my favourite a cooking programme part cooking an octopus in the oven.

Heres a scene from the 'So you want to be a Pirate?' - 


Aardman in Conversation

left-David Sproxton, Peter Lord, Nick Park, leading interview Francine Stock
from BBC Radio Four's  The Film Programme
This interview was a great opitunity and happy i got a ticket because it seemed sold out, the interview was looking at how Aardman started right, what became major inspiration and the big difference between the Great British humour and the and what chuckles the yanks is a total difference, also in coming with the Story with 'Wallace and Gromit' Wallace gets in trouble but always gets back to normal at the end but american studios seem to need a Journey of discovery or more to the point what does Wallace learn?.

Nick Park and Myself
What a Legend i really have watched every film this man has created and been amazed this is one of the greats in the animation industry who made me aspire to become an animator so you can understand why i was so happy to have a chat with nick and give my business card stuttering for the first time ever.

Aardman Exhibitions



The Papa mashey rocket from a Grand Day Out.

Creature Comforts



More Creature Comforts (this one i saw last year in the tobacco factory last year in Bristol along with some of Ray Harryhausens work)


A Set from A Curse of The Were Rabbit my favourite W&G film.

Darren Walsh Live Animation


Darren Walsh replacing a face on the Actor

"Over three days the master of mask replacement Darren Walsh shot in public an episode of his latest character 'Bob'. Having pioneered the process whilst at the University for the creative Arts in Farnham. Darren took the technique to Aardman in the 1990's where he made a global success with his loveable scamp 'Angry Kid'".

"Darren Directs a person to move incrementally like puppet whilst at the same time changing face masks in order to match a recorded voice track and change expression. It is a truly fascinating process and one that is relatively quick compared to other animation techniques".



Face masks on the wall and lighting set with second person telling him his direction.



Ani 3:Tooth and Claw
"An outstanding collection of films featuring mammals and strange beasts. Whether the creature is endowed with human traits or the story explores the uses of animals, one thing is for sure: there's nothing more appealing than a set of singing teeth..."

Again i won't mention them all but my favourites!

"'Ernesto' (Directed by Corinne Ladeinde) Great lil jolly film with singing teeth, 7 year old Ernesto feels left out when he realises he's the only kid in school with a full set of milk teeth. When his efforts to fit in fail miserably, he resorts to drastic measures to get rid of them; his teeth however, have other plans".

'The Money Tree' (May Jowdh and Alexander Young) also a friend of mine Thomas Grainger worked on this and i hope them all the best for the short, well done again guys, had such a great reception, "Barney, now glowing in financial pride soon discovers that money grows on trees doesnt always give a happy ending".

Ani:4 Time Passages
"A selection of world class animated shorts that are all strongly influenced by time. Either in the drama of a few moments, a whole life, or the impact of one globally significant event, each film beautifully tells its tale in a timely and pertinent manner".

"'Zing' (Directed by Kyra Bushor, Cynthia Collins) Busy Day in and Out , Mr.Grimm is busy with his job as the reaper, harvesting peoples lives. One day, his monotonous existence is interrupted by the door bell". Visually stunning and with touching sentements which make the story more playfull and shows a human side thats in everyone.Sadly unable to find any footage to show you.

Paul Bush Masterclass



Some great advise from someone who is in my eyes a great experimental stop-frame animator, some of the words he had to say were -Keep doing what you want to do, as you'll get better, never studied as an animator.Spoke about the Young British Artists YBA that started in the 60's which gave you the opportunity to use a great amount of materials in a communities problem being even though it was a community it was one that hated each other.

One thing he's known for is scratching into engravings and colouring in which was also done on wood and  making films that look like one thing but were another. Also i got the chance to see one of his new films for the first time shown to an audience and the new techniques he used were really great using the spots on a humans body to create a most fascinating animation.

Spotted this lovely Balloon walking in-between venues



Directors Uk Presents:Sam Fell

The talk with Sam Fell was of course shown after my second showing of 'Paranorman' which i could do with watching again, the film was of course brilliant even through the technical hitches which only gave Sam a great opportunity to tell people to see the film again but if it was my first time seeing it i would have had to have seen it again.

Then came the talk with Sam fell who was open to most questions after, the event was sold out hense why i had a seat so far back but also because i'd been over Watershed beforehand talking with such great animators who have worked at Aardman and also the likes of Tim Allen an animator that i hope to work with and learn from in the future.

Was a pleasure to talk with Sam afterwards.
Also after the talk there was a boat party not to far away where i was able to meet many people from Aardman and be able to make new connections that i will be able to keep in contact with an hope to work with in the future!'

The 'Pirates! in an Adventure with Scientists' Ship

to round off my stay in Bristol i had to pop along and see her in all her glory!






(All speech shows extracts taken from Encounters brochure)