Showing posts with label Aardman. Show all posts
Showing posts with label Aardman. Show all posts

Friday, 14 December 2012

Canterbury Anifest 5-6th October 2012

With recently getting a new job to pay for supplies and networking purposes to kick start my career as a Stop-frame animator, this gave me opportunity to go to a festival i've been looking forward to go to since last year i couldn't make it due to other commitments, at first i was going down as puplic but found myself as a volunteer from the night before the festival meeting people i knew who were already taking part from Birmingham City University and other festivals.


Sophie Graves and myself

First task as a volunteer was to prepare the plastercine characters for the 'Plastercine people: Masterclass From Animate and Create Studio' later on in the day, which was great to get to know other people of mutual interest over some plastercine and a great set of tools to work with.


Tony Dalton and myself before - Ray Harryhausen-The Godfather

Later on that day i got the chance to go to a talk on Ray Harryhausen the Godfather of Stop-motion with the curator of the Ray Harryhausen collection and auther of five books about Rays film work Tony Dalton was a delight to meet such a nice guy and willing to talk about so much of Rays work.

Jessica,Cassidy Curtis,Sophie and myself

DreamWorks - Meet the Lion tamer
Cassidy Curtis is Dreamworks supervising animator for the summer blockbuster Madagascar 3 animating Alex the Lion and from the moment the volunteers and myself met him we kind of saw a resemblence between Cassidy and Alex the lion wether that was coinsidence or character driven choice from the director.

Cassidy was a great pleasure to meet as Dan the festival organiser said "you've got to love Cassidy because he's just one big yank". The talk was great having a whole range of things to talk about from working on a range of films including 'How to train a Dragon','Shrek' and 'Madagascar'.

Talking about the age old question for cg animators 'Do you Have to be able to draw to animate well?' and we got to the reasoning that some people can still animate really well without drawing but it will always help and elevate your work and so answer being it can always help your animation skills what ever level of an animator you are.




Then also as you see in the image above here Cassidy was pointing out the difference in Shrek in 3d and in 2d to show how the points in the arm and shape of the pose can focus the eye of the audience intentionally very well. Then in 3d this doesn't come so easily.

Aardman- How to talk Pirate

Pirate Captain From Pirates

Jim Parkyn talking through the making and animating of the models, including the rapid prototyping mouth technique which enabled the characters to speak. There was also behind-the-scenes clips which were great to see as more studio shots from pirates were shown of sketches and photos of the puppet building process.
Charles Darwin from Pirates
Also looked forward to talking with Jim again at Flip Festival in Wolverhampton where i volunteered.

Double Negative- Making Monsters
Eamonn Butler talking about behind the scenes of John Carter was great because i was surprised how much i enjoyed the film as because of the reviews before it came out. The special effects had so much thought into it was great to see what they'd use in the green screen before made for the audience to see.

Pixar: Inside the toy box 
Dan McCoy Pixars technical director discussed some of the complications and problems that pixar have tackled from the technical side with telling us how some things could be re-used for more than one thing same with cheat techniques.

My hotel room view instant view from anytime of the day of the Canterbury Cathedral



anyone not been to Canterbury Anifest i recommend its a great festival and worth volunteers so many great speakers, also check out Animate and Create.


Monday, 24 September 2012

My Trip to Bristol for the 18th Encounters Short Film and Animation Festival 2012


18th Encounters Short Film and Animation Festival 18-23 September 2012 Arnolfini & Watershed

Fresh back from Encounters,
                                 Networking with people from the animation industry, seeing new emerging animations which are winning awards all over the place like 'Oh Willy' which i saw on the first day, seeing sets from 'Wallace and Gromit' films and a certain 'Pirate Captains' ship. In Bristol i got the chance to meet so many idols who i aspire to be as good as in the industry who gave me great advise.

Ani 1:Feathers and Fur
First showings i saw were 'Feathers and Fur' with Birds,mammals and strange furry creatures which often take centre stage in animation, my favourites from this selection of animations was 'Oh Willy' (directors Emma De Swaef & Marc James) mainly for the overall look of the characters and sets which was all very natural but the story il let you see for yourself. Also another favourite from this selection was 'The Fox and The Chickadee' (director Evan Derushie) showing a simple story but cleverly told with great puppet animation and a most enjoyable watch.

Heres the trailer for 'The fox and the Chickadee'-


Ani 2: Trials of Life
These animations were great, i remember them all but il only talk about the ones i most favoured and gave the most empathy to the characters first 'I'm Fine Thanks' (director: Eamonn O'neill) showing a character who bottles things up then shows him reacting to them then in a different perspective which was modern and cleverly put together in the narrative.

'The Pub' (Director: Joseph Pierce) i've always been a fan of Joseph Pierce's work his what he does with characters when he rotoscopes them, morphing their face and distorting it to create an alternative way of looking at the story and each persons perspective within the Narrative. 

'De riz d'Armenie' (Director:Helene Marchal, Samy Barras, Celine Seille) "Odette tries tidying up Alphonse's souvenirs".But one dat, no more left. great consept for the disease which is such a sad and painful time for families, the 2d style also has a soft touch to it.

Here is the trailer for De Riz d'Armenie-

'Head over Heels' (Director:Timothy Reckart) My favourite short from this selection of animations because of the humour, love and empathy. Description - "A husband and wife have grown apart over the years. He lives on the floor, she lives on the ceiling,and the marriage hang in the balance".

Here is the trailer for 'Head over Heals'-


Aardman: Early Years Claymation
"One of the qualities that made Aardman Animations stand out back in the late 1970's and 80's was their use of box pop and interviewed recordings, with strong characters animated to the voices. Others such as the hubley's in America were doing it in America were doing it in 2D drawn animation,but Lord and Sproxton pioneered the technique using plastercine character model animation. With the advert of Channel 4 and its enlightened approach to animation under the generous hand of Clare Kitson, Aardman were allowed to flourish and develop their own inimitable style".

"A certain Nick Park joined forces in the mid-80s and the rest, they say, is history. This programme featured many of the outstanding early animated films for a rare opportunity to see them in their hand-crafted detail on the big screen".Too tuff to choose a favourite from this collection but Morph, Adam, Pib and Pog, Sledgehammer,Next and Wallace and Gromit which was great to see up on the big screen (well the chase sequence from the wrong trousers)

FilmWorks Launch: It Begins With An Idea
Speakers were -
 Peter Lord with Julie Lockhart and with Mark Cosgrove,
 Then Live action Director and Producer - Katarzyna Klimkiewicz and Alison Sterling.

From Left- Julie Lockhart,Peter Lord and Artistic Director for Encounters  Mark Cosgrove
The talk was greatly beneficial i got notes and found that many of ideas could be for example 'Chicken Run' is 'The Great Escape' with chickens, simply put but it works for a different Audience. Another thing Flushed away started as pirates then went into its own and research took them to the sewers. Then Pirates came from a book that was in a meeting that Peter was attending read it and was instantly telling everyone to pick up a copy.


Aardman Retrospective: From Pigs to Pirates!
"Aardman Animations saw a period of rapid expansion after the successes of 'The Wrong Trousers' and 'A Close Shave in the 90s. The company became a more diverse studio with a range of incredible stand out talent on their books. The success of the company (including several hundred international awards) was founded on the quality of their short form of work and a thriving commercials department".

"Going from strength to strength the company recently saw the worldwide release of 'The Pirates! in an adventure with scientists', their fifth feature film to date. Never known to stand still, Aardman embrace technological developments with enthusiasm and adapt their processes and output to new platforms and opportunities. This programme celebrates many of their fantastic short films from the 90s right up until the present day".

For me 'So you want to be a Pirate?' (Directed by Jay Grace) was greatly humour-us with constant gags in keeping with the characters, having them on a tv show which is run by the Pirate Captain and going to separate pirates for each parts of the show wether its finding some treasure or trying new products on the Pirate Kings Beard and my favourite a cooking programme part cooking an octopus in the oven.

Heres a scene from the 'So you want to be a Pirate?' - 


Aardman in Conversation

left-David Sproxton, Peter Lord, Nick Park, leading interview Francine Stock
from BBC Radio Four's  The Film Programme
This interview was a great opitunity and happy i got a ticket because it seemed sold out, the interview was looking at how Aardman started right, what became major inspiration and the big difference between the Great British humour and the and what chuckles the yanks is a total difference, also in coming with the Story with 'Wallace and Gromit' Wallace gets in trouble but always gets back to normal at the end but american studios seem to need a Journey of discovery or more to the point what does Wallace learn?.

Nick Park and Myself
What a Legend i really have watched every film this man has created and been amazed this is one of the greats in the animation industry who made me aspire to become an animator so you can understand why i was so happy to have a chat with nick and give my business card stuttering for the first time ever.

Aardman Exhibitions



The Papa mashey rocket from a Grand Day Out.

Creature Comforts



More Creature Comforts (this one i saw last year in the tobacco factory last year in Bristol along with some of Ray Harryhausens work)


A Set from A Curse of The Were Rabbit my favourite W&G film.

Darren Walsh Live Animation


Darren Walsh replacing a face on the Actor

"Over three days the master of mask replacement Darren Walsh shot in public an episode of his latest character 'Bob'. Having pioneered the process whilst at the University for the creative Arts in Farnham. Darren took the technique to Aardman in the 1990's where he made a global success with his loveable scamp 'Angry Kid'".

"Darren Directs a person to move incrementally like puppet whilst at the same time changing face masks in order to match a recorded voice track and change expression. It is a truly fascinating process and one that is relatively quick compared to other animation techniques".



Face masks on the wall and lighting set with second person telling him his direction.



Ani 3:Tooth and Claw
"An outstanding collection of films featuring mammals and strange beasts. Whether the creature is endowed with human traits or the story explores the uses of animals, one thing is for sure: there's nothing more appealing than a set of singing teeth..."

Again i won't mention them all but my favourites!

"'Ernesto' (Directed by Corinne Ladeinde) Great lil jolly film with singing teeth, 7 year old Ernesto feels left out when he realises he's the only kid in school with a full set of milk teeth. When his efforts to fit in fail miserably, he resorts to drastic measures to get rid of them; his teeth however, have other plans".

'The Money Tree' (May Jowdh and Alexander Young) also a friend of mine Thomas Grainger worked on this and i hope them all the best for the short, well done again guys, had such a great reception, "Barney, now glowing in financial pride soon discovers that money grows on trees doesnt always give a happy ending".

Ani:4 Time Passages
"A selection of world class animated shorts that are all strongly influenced by time. Either in the drama of a few moments, a whole life, or the impact of one globally significant event, each film beautifully tells its tale in a timely and pertinent manner".

"'Zing' (Directed by Kyra Bushor, Cynthia Collins) Busy Day in and Out , Mr.Grimm is busy with his job as the reaper, harvesting peoples lives. One day, his monotonous existence is interrupted by the door bell". Visually stunning and with touching sentements which make the story more playfull and shows a human side thats in everyone.Sadly unable to find any footage to show you.

Paul Bush Masterclass



Some great advise from someone who is in my eyes a great experimental stop-frame animator, some of the words he had to say were -Keep doing what you want to do, as you'll get better, never studied as an animator.Spoke about the Young British Artists YBA that started in the 60's which gave you the opportunity to use a great amount of materials in a communities problem being even though it was a community it was one that hated each other.

One thing he's known for is scratching into engravings and colouring in which was also done on wood and  making films that look like one thing but were another. Also i got the chance to see one of his new films for the first time shown to an audience and the new techniques he used were really great using the spots on a humans body to create a most fascinating animation.

Spotted this lovely Balloon walking in-between venues



Directors Uk Presents:Sam Fell

The talk with Sam Fell was of course shown after my second showing of 'Paranorman' which i could do with watching again, the film was of course brilliant even through the technical hitches which only gave Sam a great opportunity to tell people to see the film again but if it was my first time seeing it i would have had to have seen it again.

Then came the talk with Sam fell who was open to most questions after, the event was sold out hense why i had a seat so far back but also because i'd been over Watershed beforehand talking with such great animators who have worked at Aardman and also the likes of Tim Allen an animator that i hope to work with and learn from in the future.

Was a pleasure to talk with Sam afterwards.
Also after the talk there was a boat party not to far away where i was able to meet many people from Aardman and be able to make new connections that i will be able to keep in contact with an hope to work with in the future!'

The 'Pirates! in an Adventure with Scientists' Ship

to round off my stay in Bristol i had to pop along and see her in all her glory!






(All speech shows extracts taken from Encounters brochure)



Monday, 5 December 2011

Professional Practice- YE Old Pirates Talk with Peter Lord


Perfect front row note taking seat check.
 Peter Lord Co founder of Aardman and Co-director of the forthcoming 'The Pirates ! In An Adventure With Scientists'(Out next March), talks about the making of the film, from the initial idea,through production to the finished film. There also was previews from the film which had more than the humour that i was expecting.
Going through the cast

  •  PIRATE CAPTAIN-Hugh Grant
  • The Pirate with the scarf- Martin Freeman
  • Crew-Russel Tovey
  • Crew-Brendan Gleeson
  • Crew-Ashley Jenson
  • Pegleg - Lenny Henry
  • Charles Darwin- David Tennant

What makes a Pirate Captain?
 In the image behind shows a exploded Captain and what goes to make each part including each technique to make him work like for example replacement mouths and movable beard using magic (clue in the word).

Replacement mouths anyone?
 Unlike on W&G using plastercine and having movable mouths which were replacble, Pirates used Rapid Prototyping which is mouths made on software then manifactured which as Peter Lord points out the main reason was less time on the floor spent wasted having to sculpt each mouth.

Ham?
 Going back to the genius of the writer Gidian Difo who makes humour by adding characteristics for characters like with the Pirates they love ham (who knew?) it was things like this which that sound small but give and audience things to relate to.

Push your animating!
 When talking about "The Animators" advice was to work fast you focus better and will still have the concerntration for whats going on thats why animators are good to suffer for their art as Peter said.

The day was a success thoroughly enjoyed Peter Lords talk which was a good insite into what makes a great stop frame feature and was an insiration to meet a great founder and have some much valued advice for future refrence.
 Professional Practice Portfolio

Professional Practice folder

 Thought i'd start getting all my applications aspirations for future out in one folder including business cards of people who i've met while networking and all the important things which will help me get a job after my 3rd year,

Bit of memrobelia to go up if i get my own studio

 My Pirates poster signed by the director Peter Lord which i didnt expect to happen at least before the film, glad to have met Peter Lord and hope to keep a network going and in future maybe work for him at Aardman after some long hours getting some spectacurlar animations together to have that showreel which makes people talk.

Signed^

Thursday, 1 December 2011

The Pirates Poster!,Canimation and Facebook

The Pirates!
Look what came in the post from America.

 Finally got my poster today with delays with it coming over seas and other things,so happy with it being a cinema quality poster,next is deciding wether to take it to Peter Lord talk this saturday where he will be talking about The Pirates the much anticipated film from Aardman, really enjoyed Arthur Christmas last week with the lovely story backing some lovely story and keeping some britishness about it.


close up of the Pirate Captain (Hugh Grant)


 Canimation

Glad to have taken time and learned new skills along the way to complete my Canimation entry 'No Bull' which was regarded highly by StopmotionPro along with put on their site to show 9 other entrys with qualities that were at their standard. 
My Canimation did not receive enough views to reach top ten in the competition but from which i got done in the short space of time shows that when given a deadline to work to i will get the job done,also helps for my next animation when animating and putting into my showreel so not all is lost.

GHanimation on Facebook
All my work will also now be put on Facebook at a group page called GHAnimation and here is the link to join-Gareth Hirst Animation Join Now


Sunday, 27 November 2011

Ss1-Acting Inspiration in Physical Comedy for the Animator


Buster Keaton (acting)


This is the first gag which really stood out by Buster Keaton which was simple yet effective because of the sutlety of what is going on as you think you know whats going on then suprises the audience with a little gag.

Chaplin film (acting -Downey Jr.)
the next gag which is simular to this is on the Chaplin film starring Robert Downey Jr. when he reads a post from the bottom to top which is a simple gag but to do takes inventiveness and creativity also to pull off is another thing.

Buster Keaton (acting-steamboat bill jr)
This hat gag has so many things which make it great the three part gags,the way buster can make the ausience know what is going to happen before it happens then still makes it funny with his reaction, there is also the camera being the mirror for the scene which works perfectly would like to bring a likeness of all these aspects into my animations.



The physical acting of keaton shown when can fall over with such acrobatics but also make it belivable this next clip show Keaton fighting the wind and going against it where just captures the audience so well.



This next clip is probable some of the best comedy acting ever just so well placed timed and reaction to what is happening.



The General -Buester Keaton
This clip as the train leaves is well put together and like before the timing for when he notices whats happening is spot on along with his reaction,there needs nothing else to that scene its kept simple which is a good thing.



Chaplin clips (Acting)
This next clip from Charlie Chaplin which is all about small movements not really full body acting just small actions at a time which the audience will pick up on and add to the empathy of the character which your portraying.



A scene from Goldrush showing Chaplin eating his own shoe was acted out so well i know he was known as a perfectionist and would do takes till something was perfect but the casual nature which eat mouthful is acted out just makes it that bit more beliveable.



there was another clip which is helpful from the goldrush where chaplin is excited from seeing this girl and is jumping round the room shown and analised by Ed Hooks last year.

Fred Astaire -(working with props/objects)
Found this guy great just flows with an objects and brings life and imagination to things around him which in a way is also used a lot in slapstick but this would have come after buster/chaplin era.



Jackie Chan
How Buster Keaton became a big infuence for Jackie Chan, Chan talks about this in his biography and openly says where he gets most his material from like Picasso said "Great Artists Steal" which is true if you watch this clip below proves how Buster Keaton made physical comedy great.





Slapstick Festival
Also the Slapstick festival i spoke about in my previous post which is very promising which is on this coming January in Bristol,recently found this showreel of pictures from this years slapstick festival-


this seems very promising and will be very excited if i get the all clear and get to go.

Shaun the sheep film you say!




Aardman Animations plan new Shaun the Sheep film

Shaun the SheepShaun the Sheep is filmed at Aardman's Bristol studio

Aardman Animations, the Oscar-winning company behind Shaun the Sheep, has started work on a new feature film starring the character.
Writers at Aardman's Bristol HQ have begun developing a script for the film, which is hoped to be ready by 2013/14.
The company won an Oscar in 1993 for the Wallace Gromit film "The Wrong Trousers" and then again in 1995 for "A Close Shave".
The first TV episode of Shaun the Sheep was shown on the BBC in March 2007.
'Slapstick films'
Aardman creative director Richard Goleszowski, 51, said one of the inspirations behind Shaun the Sheep was the 1920s silent movie star Buster Keaton.
Mr Goleszowski said: "My goal is to make a modern day silent movie starring Shaun. When we started writing the television series we stuck a picture of Buster Keaton on the studio door.
"I grew up watching slapstick films and some of the jokes have become embedded in my psyche."
He said that the senior team at Aardman had been thinking about running screenings of silent films to help the newer animators develop their skills.
'Remain silent'
He said one of the reasons he had originally developed Shaun the Sheep as a non-speaking character was because animation with dialogue is time consuming and expensive.
He said: "I thought making him silent would make it cheaper and easier but it makes life more difficult.
"Telling a story through pictures means you can't cut corners. It's very cinematic and involved."
Richard Goleszowski will be speaking at the Silent Comedy Festival in Bristol on 30 January at 1400 GMT at the Watershed.

This proves great news for my future to aspire to work for a feature like this would be a dream come true and proves that silent slapstick comedy is ever important and should never be forgotten and would be proud to see it grow and be a part of that.