Showing posts with label ed hooks. Show all posts
Showing posts with label ed hooks. Show all posts

Tuesday, 7 February 2012

Ss2-A Characters Features & More

Getting more shapely feature from the characters face


Photos taken throughout making new character face experimenting and practicing to make faces which will be most suitable for my specialist study 2 characters. The biggest problem as noticeable with previous characters is the shapely features which make a puppet more human and more characitured.


So first point of reference was Babylon an early short from Pete Lord and David Sproxton, the short is dark yet the characters all have a difference from the one before almost individual which makes me interested in looking at the detail they have made.

Underneath a layer of wire and foil


the shaping of the nose seemed important as a centre point

instantly preferred with eyelids even if not accurate at the moment


The shape of the head was seeing more shape as the layers came one by one, the attention to the definition to high cheek bone instantly makes the nostrils seem like they were meant to be.
Deciding on mouthpiece will be next time

left the neck till last as of lessons learnt last time with rushing in

Like the p'js many mouth pieces or giant ones to fill the open space.
undecided on hat or hair so the reason for flat head


tissue?


Planning


Becoming more and more important as i see the days pass so quick with little to show so the top plan is for specific dates and deadlines and below a list of tasks to be done.
not so specific at the moment

 Books currently helpful

So excited i bought 2 (one click on amazon means one click... apparently)
The book above i came across while at Slapstick2012 in Bristol's Arnolfini the book covers many topics which every animator will be in grossed in,many tips on how to increase your skill set and making your performance believable.(Btw amazon cheapest by £10)

Always great for any character animator
 Always had this out until i bought a copy, much to learn and quick in this little book always referring to it for little pieces that come useful.







Sunday, 27 November 2011

Ss1-Acting Inspiration in Physical Comedy for the Animator


Buster Keaton (acting)


This is the first gag which really stood out by Buster Keaton which was simple yet effective because of the sutlety of what is going on as you think you know whats going on then suprises the audience with a little gag.

Chaplin film (acting -Downey Jr.)
the next gag which is simular to this is on the Chaplin film starring Robert Downey Jr. when he reads a post from the bottom to top which is a simple gag but to do takes inventiveness and creativity also to pull off is another thing.

Buster Keaton (acting-steamboat bill jr)
This hat gag has so many things which make it great the three part gags,the way buster can make the ausience know what is going to happen before it happens then still makes it funny with his reaction, there is also the camera being the mirror for the scene which works perfectly would like to bring a likeness of all these aspects into my animations.



The physical acting of keaton shown when can fall over with such acrobatics but also make it belivable this next clip show Keaton fighting the wind and going against it where just captures the audience so well.



This next clip is probable some of the best comedy acting ever just so well placed timed and reaction to what is happening.



The General -Buester Keaton
This clip as the train leaves is well put together and like before the timing for when he notices whats happening is spot on along with his reaction,there needs nothing else to that scene its kept simple which is a good thing.



Chaplin clips (Acting)
This next clip from Charlie Chaplin which is all about small movements not really full body acting just small actions at a time which the audience will pick up on and add to the empathy of the character which your portraying.



A scene from Goldrush showing Chaplin eating his own shoe was acted out so well i know he was known as a perfectionist and would do takes till something was perfect but the casual nature which eat mouthful is acted out just makes it that bit more beliveable.



there was another clip which is helpful from the goldrush where chaplin is excited from seeing this girl and is jumping round the room shown and analised by Ed Hooks last year.

Fred Astaire -(working with props/objects)
Found this guy great just flows with an objects and brings life and imagination to things around him which in a way is also used a lot in slapstick but this would have come after buster/chaplin era.



Jackie Chan
How Buster Keaton became a big infuence for Jackie Chan, Chan talks about this in his biography and openly says where he gets most his material from like Picasso said "Great Artists Steal" which is true if you watch this clip below proves how Buster Keaton made physical comedy great.





Slapstick Festival
Also the Slapstick festival i spoke about in my previous post which is very promising which is on this coming January in Bristol,recently found this showreel of pictures from this years slapstick festival-


this seems very promising and will be very excited if i get the all clear and get to go.

Shaun the sheep film you say!




Aardman Animations plan new Shaun the Sheep film

Shaun the SheepShaun the Sheep is filmed at Aardman's Bristol studio

Aardman Animations, the Oscar-winning company behind Shaun the Sheep, has started work on a new feature film starring the character.
Writers at Aardman's Bristol HQ have begun developing a script for the film, which is hoped to be ready by 2013/14.
The company won an Oscar in 1993 for the Wallace Gromit film "The Wrong Trousers" and then again in 1995 for "A Close Shave".
The first TV episode of Shaun the Sheep was shown on the BBC in March 2007.
'Slapstick films'
Aardman creative director Richard Goleszowski, 51, said one of the inspirations behind Shaun the Sheep was the 1920s silent movie star Buster Keaton.
Mr Goleszowski said: "My goal is to make a modern day silent movie starring Shaun. When we started writing the television series we stuck a picture of Buster Keaton on the studio door.
"I grew up watching slapstick films and some of the jokes have become embedded in my psyche."
He said that the senior team at Aardman had been thinking about running screenings of silent films to help the newer animators develop their skills.
'Remain silent'
He said one of the reasons he had originally developed Shaun the Sheep as a non-speaking character was because animation with dialogue is time consuming and expensive.
He said: "I thought making him silent would make it cheaper and easier but it makes life more difficult.
"Telling a story through pictures means you can't cut corners. It's very cinematic and involved."
Richard Goleszowski will be speaking at the Silent Comedy Festival in Bristol on 30 January at 1400 GMT at the Watershed.

This proves great news for my future to aspire to work for a feature like this would be a dream come true and proves that silent slapstick comedy is ever important and should never be forgotten and would be proud to see it grow and be a part of that.